國外聲樂老師點評周深 Vocal Coach Reaction to Zhou Shen - Çift Dilli Altyazılar
You Thanks for watching!
His voice is high a I'm gonna honest with you.
These guys are having a blind reaction.
I, if I wasn't watching, I would definitely think this was a woman.
But already with great It's artistic, it's floaty, it's nice, but it's very interesting.
Who it's coming out of.
I guess that's the idea.
Tada, tada, tada, tada,
this is beautiful this is beautiful but very bizarre I can't I'm sorry to comment on it
Even even the fact that it sounds a little bit more feminine also,
also just this T-shirt and jeans thing like this is highly expressive in the choices he's making technically to bring this melody to life.
It's very...
Tistic, and he just looks so casual.
Arrrrrrr!
I wonder if they think...
He is a woman.
Shall you find what I might love?
Tell who you'll fly in I'll try to you what I say Yeah,
who she is Okay,
I just paid him a lot of compliments and I don't take them
back but there is some dissonance to me as an audience member hearing this very flowery very Mmm,
feminine, not just tone of voice, but even the choices he's making are very delicate and graceful.
I'm not sure.
for me at this time it I don't know I don't know if I like it's a little weird
it's weird but he's good but it's like I don't know But what I want...
The longer I watch, the more I wonder if he will ever truly belt, or if he will always stay in this floaty place.
I feel that if he only stays here, I will miss the thicker belting.
I don't know.
I go for you.
I don't know what song this is but to me it reminds me of something that would appear in like a Cirque du Soleil production.
Again, very theatrical.
I don't know how pop it is.
I don't know that it matters.
When you're looking at a singer, one of the ways to judge their technique.
is the end of phrases.
Do know how to stop making sound in a very controlled purposeful way that is not distracting?
This man is in very, very good control.
Very thoughtful singer, very thoughtful performance.
Take a chance,
because I'm too afraid my heart would break Everything that I ever to stand right in front of me
But I think I'm running from you,
you wanna read me It's really neat hearing him sing a song that is a little bit more rooted in popular music.
It is still beautiful.
It still very in control,
but for me,
this is more of a modern sound Same voice of course,
but a more modern use of it just to demonstrate,
just to be clear, what he just saying, this is in the middle of my range...
as a woman this is very high...
Tear it in my blood Ugh, something about your energy There must be every time it's time What should be me?
Hmm, interesting.
Um, agility one That was not the tightest little riff.
He is clearly an amazing singer, and this is live, so it could be a one-off, but I'm curious to hear more.
I'm so sad,
being so much thanks for my gift, Sprigs of palm truss, you're the one, Time has comes, tell me baby, what's it all about?
We can be the chair, hell, sweet and all the night, Yeah, my story!
He's a good singer.
He's a really good singer.
This is clean.
This is so musical.
This is very beautiful.
I don't know if this will be a popular opinion.
As much as he is wonderful, I don't know how much I resonate with the...
tone of his voice, but it is absolutely beautiful.
It's just like anybody's voice.
We are drawn to different sounds.
To me, that more narrow sound, it is not wrong.
There is absolutely nothing wrong with it.
As a matter of fact, it is absolutely beautiful.
I don't know if I resonate with it.
Really great control, that little yodel.
No!
Whatever it was, beautiful, beautiful technique.
He is so easy to listen to.
He is so in control of his voice.
This is a pleasure to listen.
to.
Yeah that high note I know people get really excited about high notes whether it's a woman or a man doing it.
For me this kind of thing is a bit of a parlor trick meaning that.
It's only so useful in day-to-day music.
Now he's on stage, he's putting on a show, he has got the audience in the palm of his hands.
It is the perfect time to pull something like this out,
but it always makes me laugh when the general public gets so excited about something like this,
when imagine you're at a party and someone was like,
hold on, like it's less exciting than just singing beautifully, which he also does, so fair enough.
it's so feminine it's bizarre yeah I don't know what to say like ah well well
polite like as a female when I watch a male artist I want to feel like like yum
that's so attractive I don't know like it is beautiful from an artistic standpoint
beautiful instrument but I don't know if my lady juices are flowing because it's just so female,
but it's a pink song,
I have a feeling this is a pink song and I have a feeling this is okay I do appreciate this because we're hearing the bottom thicker bassier
richer part of his voice which which is a little bit more masculine a little bit more
true to his speaking voice I'm gonna guess I have not heard him speak but I
know that I enjoy
I want it all it's nice to hear him down here I his stage presence is
amping up too he's his confidence is amping up it's great His speaking voice is really high.
I'll have to take back what I said.
His speaking voice is really high.
Actually, it's not even, he's not even trying.
I think that's easy for him.
Ha!
I would say, of anything, his agility is the most thing that I would want to train with him.
Is just making him...
note to note quickly, which is what we mean when we're talking about vocal agility.
Now this is a live performance, so anything could be up, right?
We don't know what he's hearing in his ears, we don't know what he's experiencing in his body or what's happening around him.
But just from what I've heard so far,
that is the most questionable thing I've heard so far which don't get me wrong I am trying
to find things to say about this guy because he's great you know what his
agility is really strong and if you listen to his
You can tell if a singer has very agile voice and good control if you can hear that they're putting in vibrato on really really short notes
Not just long ones where there's tons of time to unfold of
vibrato And I'm hearing him he's able to put vibrato in even in a short amount of time It's not gonna push away,
no one can make the clubbing anyone, just like flying away.
Every singer gets little things that they like to do a lot.
is a riff that he likes to use.
It's lovely, but I anticipate I'm gonna hear it in other songs.
I think.
Okay, so he knows that that's his thing, and he knows that the crowd reacts when he uses
his high voice even higher than in the rest of the song,
so he pulls this out a lot, maybe I would too, because I bet you the crowd goes wild every time.
Oh my god, I know this song!
I this to a student!
Oh Okay, so he's a great singer, but again, this is an insane amount of production supporting him.
So, you always want to give credit to the production as well, because now we're looking
at more than just a singer, we're looking at an artist with a big support system underneath.
This is You just heard him use all those high notes.
Ahh, they're floaty floaty.
And he's a little bit more in the center of his voice again, right?
Go, no, no, ah, ah, ah, ah, right where he talks.
reaching between the registers effortlessly.
But still a little bit of a chipmunk quality to it, right?
Again, some people will be very drawn to this and some people will find it.
less exciting but it will nothing will take away from how talented he is how
hard he's worked and how well he can control his voice you cannot make the
tone of your voice anything other than what it is and as a matter of fact the
wisest thing you can do as a singer and artist is lean into what it really
is so he is making the best possible use of of his voice even if it's not if it
my face because it's he is talented What's the key to that?
Me and I do that This is the key to that But truth and God Oh,
oh Christmas and I'm back But look like it's like I'm singing Oh,
oh, oh is the key to that
Oh, oh, oh This is the key to truth and God Thanks for watching, and I'll see you in next video.
I think it's worth pointing out that this song is technically very challenging.
There's a lot going on here and he is pretty flawless.
He is moving in and out of registers so easily.
And this song has a vast range.
He's nailing it, in my opinion.
Shh, shh, shh, shh, shh.
Okay, that's the first time I've heard him chicken out.
Now...
Many of you won't even know what I'm talking about because he's in tune,
the song is still accurate,
but there is a place that just passed where he could have,
shut off,
could have,
used a more powerful part in his voice, but he cut out into a head voice or into a thinner kind of sound early.
earlier than he needed to earlier than he could have chosen to and it's not going
to ruin the experience for anybody because it's in tune and the song
is intact but it I felt I felt like the air kind of got let out of that phrase before I wish it did.
Again.
It a stylistic choice he's making, but it feels a little weird to me to be...
We're in the apex of the song, the most exciting part of the song.
It's generally not the place where you want to thin out, right?
excitement up.
I'm not sure he's You what?
He may be fatiguing.
This is, this is a massive.
massive performance and there's a lot of thicker, beltier things in this song that I've seen him do in other songs.
So he may be making that choice because he's fatiguing in which case
good call because you want to make it through not only the song but the entire performance if this is a full concert.
So that may be a wise decision.
Oh
I'm die for life Don't get hurt like the boys in there But you don't know I'm gonna die It's nice to hear this airy,
kind of a breath of fresh air from all the thicker, heavier, more complex melodies.
This is a really nice choice he's making to be kind of floaty and intimate.
No, no, no, no, no, no, no, no, no, no, no, See you later, beautiful.
See you soon.
SSN!
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